![]() Below are screenshots of three different presets plus advanced adjustments that I applied in order to try to control the image. Plus there’s snow and shadows in the foreground to deal with as well, making for a truly difficult shot.Īdmittedly HDR Darkroom 3 did struggle here, I tried to recover those highlights in the sky, but no matter what I did they were always blown out. The image below is made up of three bracketed images shot at +2, 0, -2 directly into the sun. So let’s take it a bit further, let’s try and and do something close to a worst case scenario HDR. But, I didn’t want to be too unfair in the introduction. The waterfall photo above that I used for the walkthrough is a fairly easy shot for an HDR process as its low on dynamic range and won’t really push the software to its maximum potential. How’s HDR Darkroom 3 handle worst case high dynamic range? One of the biggest things that I felt was missing was a local adjustment brush for finer control over where effects were being applied. However, for those who do want a little more control, it might be just a bit too limiting. Overall, HDR Darkroom 3 does do a good job at processing a bracketed set of photographs with a slick, easy to use interface to boot. Once in the advanced section you have access to many of the tools you might expect like: tone mapping, basic exposure and contrast control, highlight and shadow adjustments, white and black point adjustments, and other tools for color, smoothness and even lens correction. When you have found a preset that you like for the image, you can then customize it to your liking with three different sliders for Saturating, Exposure and Vignette as well as an advanced button for more freedom in the editing process. You choose which one you like best for the image that you’re working on and each one will change the image to achieve a particular look. HDR Darkroom 3, unlike the other programs in the industry, actually forces you to start with a preset. On top of this preset the program comes packed with 15 more for you to choose from and the option to save any modifications that you’ve made as custom presets. Again, this is a very simplistic approach, where the user is left at the mercy of the algorithm inside the program with no ability to customize which areas of the photograph to focus on, or the intensity of the ghosting effect removal.Īfter importing your image you are defaulted to the ‘Classic’ preset which is a very standard almost uninteresting HDR image. On top of the alignment you can also have HDR Darkroom 3 take care of ghosting effects by checking the appropriate box. When switching between the two options there is no difference to the user interface (both options are completely software driven) so I’m assuming this is just going to depend on the amount of time it takes for the merge to be completed. When importing photographs you can have HDR Darkroom 3 align the images by either a fast method or advanced method. These work as you might expect where New HDR allows you to choose the set of bracketed images that you’d like to work on, single photo allows you to tone map a single photograph and batch processing allows for processing a batch of HDRs using the same settings.įor this review I’ll be using a three bracket set I took while photographing waterfalls recently. When you launch the program you can choose from three different import methods: New HDR, Single Photo and Batch. ![]() The program is also stripped down in a way that gives even the most novice HDR photographer an easy learning curve to get started. ![]() The simplicity of the way that HDR Darkroom 3 uses presets to get you started with tone mapping is unique, and takes a lot of the work out of finding the right starting point. The number one thing that stands out to me is the user interface. It’s available for both Mac and Windows users, and a free trial version can be downloaded from their site. The people at Everimaging have recently upgraded their HDR tone mapping software offering to its third edition, and as a result today we’re going to talk about HDRDarkroom 3. ![]() Bracketing multiple exposures of the same scene and merging them together with tone mapping software is one way of creating an HDR photograph allowing you to capture the full range of the scene in front of your camera. Digital cameras may be making incremental improvements with dynamic range capabilities, but are still lacking in terms of what they can capture. ![]()
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